One task. Perfectly performed.
The definitive digital source for your high-end DAC.
For the digital purist, a dedicated CD transport is the ultimate way to experience physical media. By removing the internal DAC and analogue circuitry, these units focus entirely on one critical task: reading the disc with absolute mechanical precision. Our collection features high-stability drives designed to eliminate vibrations and jitter before the signal ever reaches your converter. Whether you are pairing a compact Pro-Ject transport with a desktop DAC or integrating a reference-grade Audiolab or TEAC unit into a flagship system, these specialized drives ensure that the data stream remains bit-perfect and uncompromised. Discover the silent, steady heart of a truly high-performance digital front end.
LEAK CDT CD Transport
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Teac PD-507T CD Transport
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Accustic Arts DRIVE IV - Audiophile CD Transport
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Audiolab 7000CDT CD Transport
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Pro-Ject CD Box DS2 T CD Transport
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PS Audio PerfectWave SACD Player/Transport
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Heed Thesis Delta CD Transport
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MSB Technology The Select Transport
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Pro-Ject CD Box RS2 T CD Transport
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Bel Canto e.One CD3t CD Transport
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Restek EPOD CD Transport
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Aqua La Diva M2 CD Transport
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Trigon Exxact CD Player / Transport
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Perreaux eloquence CDt CD Transport
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High-End CD Transports & Drive Mechanisms.
A traditional CD player houses a rapidly spinning motor, a moving laser, a digital processor, and a delicate analog output stage all inside the same metal box. The electrical and physical noise generated by the motors inevitably bleeds into the analog signal. A CD Transport solves this by performing the mechanical reading and then instantly exporting the raw digital data. It leaves the sensitive translation process entirely to your external DAC. Click through the tabs below to understand the extreme lengths these machines go to in order to achieve a perfect read.
The Anatomy of a Transport
If you look at the back of a dedicated CD Transport, you will notice something missing: there are no analogue outputs.
- Zero Analogue Circuitry: A transport contains no DAC chips, no op-amps, and no analogue output stages. It only outputs a digital signal (1s and 0s).
- The Benefit: Because there is no analogue audio being processed inside the chassis, it is impossible for the noisy digital motors and servo controllers to introduce electrical interference into your music. You get a massively lowered noise floor and a dramatic increase in spatial resolution.
The Drive Mechanism
A CD is read by a laser focusing on microscopic pits while spinning at up to 500 RPM. Any physical vibration causes the laser to miss data, forcing the machine's error-correction software to "guess" what the music should sound like.
- Bespoke Audio Drives: Unlike cheap computer CD-ROM drives that spin chaotically to rip data fast, premium transports use incredibly heavy, custom-engineered audio mechanisms designed to spin at a perfectly stable 1x Redbook speed.
- Massive Isolation: High-end transports are built like bank vaults. They utilise thick aluminum chassis, floating magnetic suspensions, and heavy damping materials to completely isolate the spinning disc from the acoustic vibrations of your loudspeakers in the room.
Power Supply Purity
The power supply in a digital transport is just as critical as it is in a massive power amplifier.
- Linear Transformers: Instead of cheap, noisy switching power supplies, reference transports utilise massive linear toroidal transformers.
- Multi-Stage Regulation: They completely separate the power feeds for the mechanical motors (the tray and the spindle) from the power feeds for the digital output clocks. This prevents voltage drops when the motor spins up, ensuring the digital timing remains microscopically accurate.
Reference Digital Connections
Because a transport only outputs digital data, the quality of its output connections dictates how well it communicates with your DAC.
- AES/EBU (Balanced Digital): The studio standard. This uses a 3-pin XLR cable to transmit the digital signal. Its higher voltage and balanced design make it highly resistant to jitter and electrical interference over long cable runs.
- I2S (Inter-IC Sound): The absolute holy grail of digital audio connections. Standard digital cables (like Coax or Optical) combine the music data and the timing clock into a single stream, which the DAC must then untangle. I2S sends the music data and the clock data down entirely separate wires simultaneously, resulting in virtually zero jitter and breathtaking transparency.
CD Transport FAQs
I already have a CD Player. Can I use it as a Transport?
I already have a CD Player. Can I use it as a Transport?
Yes, in some cases. If your current CD player has a "Digital Out" port on the back (usually an Optical or Coaxial connection), you can run a cable from there into an external DAC. This effectively bypasses the CD player's internal DAC, turning it into a transport. However, a dedicated, purpose-built CD Transport will usually drastically outperform it, because a dedicated unit features superior power supply isolation and a much heavier, vibration-resistant drive mechanism.
Does the digital cable I use between the Transport and the DAC matter?
Does the digital cable I use between the Transport and the DAC matter?
Yes, significantly. Because the connection relies on square-wave frequencies and perfect timing, a poor quality digital cable can introduce reflections and jitter. Always use a dedicated, true 75-Ohm Coaxial cable, a true 110-Ohm AES/EBU cable, or a high-quality I2S cable. Avoid using a standard analog RCA cable for a digital Coaxial connection, as the impedance mismatch will degrade the signal.
